All Other Top 1000 Films

Seen = 0 (0%)

79 Springs (Alvarez)
Act of Killing, The (Oppenheimer, Cynn)
An Actor’s Revenge (Ichikawa)
Adventures of Prince Achmed, The (Reiniger)
All That Money Can Buy (Dieterle)
America, America (Kazan)
American Friend, The (Wenders)
American Gigolo (Schrader)
Amour (Haneke)
And God Created Woman (Vadim)
And the Ship Sails On (Fellini)
Angel Face (Preminger)
Angels with Dirty Faces (Curtiz)
Arnulf Rainer (Kubelka)
Arsenal (Dovzhenko)
Art of Vision, The (Brakhage)
Ashes of Time (Kar-Wai)
Atanarjuat: The Fast Runner (Kunuk)
Audition (Miike)
Auntie Mame (DaCosta)
Avanti! (Wilder)
Awaara (Kapoor)
Baker’s Wife, The (Pagnol)
Ballad of Cable Hogue, The (Peckinpah)
Bank Dick, The (Cline)
Barefoot Contessa, The (Mankiewicz)
Battle of Chile, The (Guzman)
Bay of Angels (Demy)
Before the Revolution (Bertolucci)
Bellboy, The (Lewis)
Bellissima (Visconti)
Bells of St. Mary’s, The (McCarey)
Bend of the River (Mann)
Ben-Hur (Niblo)
Better Tomorrow, A (Woo)
Big City, The (Ray)
Big Parade, The (Vidor)
Bitter Rice (De Santis)
Bitter Victory (Ray)
Black Cat, The (Ulmer)
Black Sunday (Bava)
Blast of Silence (Baron)
Blind Chance (Kieślowski)
Boy (Ōshima)
Bullet in the Head (Woo)
Butcher, The (Chabrol)
California Split (Altman)
Camille (Cukor)
Canterbury Tales, The (Pasolini)
Canyon Passage (Tourneur)
Carnival in Flanders (Feyder)
Caro Diario (Moretti)
Ceremony, The (Ōshima)
Certified Copy (Kiarostami)
Childhood of Maxim Gorky, The (Donskoy)
City Girl (Murnau)
Clowns, The (Fellini)
Comradeship (Pabst)
Conversation Piece (Visconti)
Crazy Ray, The (Clair)
Cría cuervos (Saura)
Cutter’s Way (Passer)
Dames (Enright, Berkeley)
Dances with Wolves (Costner)
Dangerous Liaisons (Frears)
Dark Eyes (Mikhalkov)
Days and Nights in the Forest (Ray)
Days of Eclipse (Sokurov)
Death of Maria Malibran, The (Schroeter)
Deep Red (Argento)
Demon Lover Diary (DeMott)
Destiny (Lang)
Devil in the Flesh (Autant-Lara)
Devil is a Woman, The (von Sternberg)
Devil’s Envoys, The (Carné)
Diamonds of the Night (Němec)
Diary (Perlov)
Diary of a Lost Girl (Pabst)
Die Nibelungen: Siegfried (Lang)
Docks of New York, The (von Sternberg)
Dodsworth (Wyler)
Doomed Love (de Oliveira)
Douce (Autant-Lara)
Do You Remember Dolly Bell? (Kusturica)
Draughtsman’s Contract, The (Greenaway)
Duck Amuck (Jones)
Duelle (Rivette)
Duellists, The (Scott)
Dune (Lynch)
Dybbuk, The (Waszyński)
El Cid (Mann)
Elevator to the Gallows (Malle)
Empire (Warhol)
Empire of the Sun (Spielberg)
End, The (Maclaine)
End of St. Petersburg, The (Pudovkin)
Enter the Dragon (Clouse)
Entr’acte (Clair)
Equinox Flower (Ozu)
Eternity and a Day (Angelopoulos)
Europa (von Trier)
Fallen Angels (Kar-wai)
Fantômas (Feuillade)
Far Country, The (Mann)
Fata Morgana (Herzog)
Female Trouble (Waters)
Fires on the Plain (Ichikawa)
Flame of My Love (Mizoguchi)
Flavor of Green Tea Over Rice, The (Ozu)
For All Mankind (Reinert)
Fortune, The (Nichols)
Forty Guns (Fuller)
Four Friends (Penn)
Four Horsemen of the Apocalypse, The (Minnelli)
Four Nights of a Dreamer (Bresson)
French Lieutenant’s Woman, The (Reisz)
From the East (Akerman)
Fury (Lang)
Gandhi (Attenborough)
Ganga Bruta (Mauro)
Geisha, A (Mizoguchi)
General Line, The (Eisenstein, Aleksandrov)
Getaway, The (Peckinpah)
Ghost in the Shell (Oshii)
Gloria (Cassavetes)
Go Between, The (Losey)
Goddess, The (Yonggang)
Gold Diggers of 1933, The (LeRoy, Berkeley)
Goodbye South, Goodbye (Hsiao-hsien)
Good Morning (Ozu)
Graveyard of Honor (Fukasaku)
Great Ecstasy of Woodcarver Steiner, The (Herzog)
Great Sacrifice, The (Harlan)
Gunga Din (Stephens)
Guys and Dolls (Mankiewicz)
Hail Mary (Godard)
Hallelujah (Vidor)
Hamlet (Olivier)
Hamlet (Kozintsev)
Happiness (Medvedkin)
Hard Boiled (Woo)
Heaven Can Wait (Lubitsch)
Henry: Portrait of a Serial Killer (McNaughton)
He Who Gets Slapped (Sjöström)
Hold Me While I’m Naked (Kuchar)
Homework (Kiarostami)
Hôtel des Invalides (Franju)
Hôtel du Nord (Carné)
Hour of the Star (Amaral)
Humanity and Paper Balloons (Yamanaka)
Hyenas (Mambéty)
I Am a Fugitive from a Chain Gang (LeRoy)
Il Sorpasso (Risi)
Informer, The (Ford)
Insect Woman, The (Imamura)
Intentions of Murder (Imamura)
Intimate Lighting (Passer)
Iracema – Uma Transa Amazônica (Bodansky, Senna)
Irma Vep (Assayas)
Irreversible (Noé)
Italian Straw Hat, The (Clair)
Jason and the Argonauts (Chaffey)
Jenny Lamour [Quai des Orfèvres] (Clouzot)
Jour de fête (Tati)
Judex (Franju)
Ju Dou (Yimou, Fengliang)
Kanal (Wajda)
King of the Children (Kaige)
King-Size Canary (Avery)
Lacombe, Lucien (Malle)
La Commune (Paris, 1871) (Watkins)
Lady with the Dog (Kheifits)
Land of Silence and Darkness (Herzog)
L’Argent (L’Herbier)
La Ronde (Ophüls)
La Roue (Gance)
Last Bolshevik, The (Marker)
Late Autumn (Ozu)
Late Chrysanthemums (Naruse)
Law of Desire (Almodóvar)
Le Corbeau (Clouzot)
Le Deuxième Souffle (Melville)
Le Notti Bianche (Visconti)
Leolo (Lauzon)
Lessons of Darkness (Herzog)
Letter from Siberia (Marker)
Liebelei (Ophüls)
Light Sleeper (Schrader)
Little Foxes, The (Wyler)
Love Affair (McCarey)
Lovers, The (Malle)
Lucifer Rising (Anger)
Luna (Bertolucci)
Macunaima (de Andrade)
Magnificent Seven, The (Sturges)
Man from Laramie, The (Mann)
Man in the White Suit, The (Mackendrick)
Man of Marble (Wajda)
Man of the West (Mann)
Man’s Castle (Borzage)
Marquise of O, The (Rohmer)
Marriage Circle, The (Lubitsch)
Masquerade in Vienna (Forst)
Matewan (Sayles)
Mattei Affair, The (Rosi)
Mauvais Sang (Carax)
Medium Cool (Wexler)
Ménilmontant (Kirsanoff)
Mephisto (Szabó)
Midnight (Leisen)
Millennium Mambo (Hsiao-hsien)
Minamata: The Victims and Their World (Tsuchimoto)
Mishima: A Life in Four Chapters (Schrader)
Miss Oyu (Mizoguchi)
Moana (Flaherty, Flaherty)
Moonrise (Borzage)
Mother (Pudovkin)
Movie, A (Conner)
Mr. Arkadin (Welles)
Mughal-e-Azam (Asif)
Murder by Contract (Lerner)
Mutiny on the Bounty (Lloyd)
My Apprenticeship (Donskoy)
Naked and the Dead, The (Walsh)
Naked Spur, The (Mann)
Natural Born Killers (Stone)
Night of the Shooting Stars, The (Taviani, Taviani)
Night Porter, The (Cavani)
No. 12: Heaven and Earth Magic (Smith)
No End (Kieślowski)
Now, Voyager (Rapper)
Oedipus Rex (Pasolini)
Official Story, The (Puenzo)
Once Upon a Time in Anatolia (Ceylan)
On Dangerous Ground (Ray)
Only Son, The (Ozu)
Organizer, The (Monicelli)
Our Daily Bread (Vidor)
Out 1: Spectre (Rivette)
Outcast of the Islands (Reed)
Page of Madness, A (Kinugasa)
Pakeezah (Amrohi)
Pandora and the Flying Dutchman (Lewin)
Party Girl (Ray)
People on Sunday (Zimmerman, Siodmak, Ulmer)
Perceval (Rohmer)
Peter Ibbetson (Hathaway)
Petrified Forest, The (Mayo)
Phantom Carriage, The (Sjöström)
Pilgrim, The (Chaplin)
Pillow Book, The (Greenaway)
Pixote (Babenco)
Point Break (Bigelow)
Portrait of Jason (Clarke)
Private Life of Sherlock Holmes, The (Wilder)
Prophet, A (Audiard)
Purple Noon (Clemént)
Pursued (Walsh)
Quadrophenia (Roddam)
Queen Kelly (von Stroheim)
Que Viva Mexico! (Eisenstein)
Reason, Debate and a Story (Ghatak)
Reassemblage: From the Firelight to the Screen (Minh-hà)
Red and the White, The (Jancsó)
Repo Man (Cox)
Richard III (Olivier)
Ride Lonesome (Boetticher)
Riff-Raff (Loach)
Rio, 40 Degrees C. (dos Santos)
Rio Grande (Ford)
Road to Life (Ekk)
Roaring Twenties, The (Walsh)
Rocker (Lemke)
Room with a View, A (Ivory)
Rose Hobart (Cornell)
Run Lola Run (Tykwer)
Ryan’s Daughter (Lean)
Safety Last! (Newmeyer, Taylor)
Saga of Gosta Berling, The (Stiller)
Samson and Delilah (DeMille)
Sandra (Visconti)
Sant Tukaram (Damle, Fattelal)
Saraband (Bergman)
Scenes from Under Childhood (Brakhage)
Seconds (Frankenheimer)
Seduced and Abandoned (Germi)
Seven Brides for Seven Brothers (Donen)
Seventh Victim, The (Robson)
Shanghai Gesture, The (von Sternberg)
Sheltering Sky, The (Bertolucci)
Shop on Main Street, The (Klos, Kadár)
Short Film About Love, A (Kieślowski)
Show People (Vidor)
Sign of Leo, The (Rohmer)
Slave of Love, A (Mikhalkov)
Sonatine (Kitano)
Song of Ceylon, The (Wright)
Sons of the Desert (Seiter)
Special Day, A (Scola)
Spider’s Stratagem, The (Bertolucci)
Star Spangled to Death (Jacobs)
Stavisky (Resnais)
Still (Gehr)
Still Life (Saless)
Storm Over Asia (Pudovkin)
Story of a Cheat, The (Guitry)
Strangers When We Meet (Quine)
Stray Dog (Kurosawa)
Stroszek (Herzog)
Sugar Cane Alley (Palcy)
Sunday in the Country, A (Tavernier)
Superstar: The Karen Carpenter Story (Haynes)
Sweet Movie (Makavejev)
Sweet Sweetback’s Baadasssss Song (Van Peebles)
Swindle, The [Il Bidone] (Fellini)
Swing Time (Stevens)
Taira Clan Saga (Mizoguchi)
Tales of Hoffmann, The (Pressburger, Powell)
Text of Light, The (Brakhage)
There’s Always Tomorrow (Sirk)
They Died with Their Boots On (Walsh)
Three Crowns of the Sailor (Ruiz)
Tih Minh (Feuillade)
Time to Love and a Time to Die, A (Sirk)
Tingler, The (Castle)
Tobacco Road (Ford)
Tom Jones (Richardson)
Tom, Tom, the Piper’s Son (Jacobs)
Tongues Untied (RIggs)
Toni (Renoir)
Toni Erdmann (Ade)
To Sleep with Anger (Burnett)
Toute une nuit (Akerman)
Tout va bien (Godard, Gorin)
To Whom Does the World Belong? (Dudow)
Two Rode Together (Ford)
Ulysses’ Gaze (Angelopoulos)
Under the Bridges (Käutner)
Under the Roofs of Paris (Clair)
Unfaithfully Yours (Sturges)
Unfaithful Wife, The (Chabrol)
Unknown, The (Browning)
Utamaro and His Five Women (Mizoguchi)
Variety (Dupont)
War and Peace (Vidor)
Warning Shadows (Robison)
War of the Worlds, The (Haskin)
Water-Mirror of Granada (del Omar)
Way Down East (Griffith)
Way We Were, The (Pollock)
Wedding March, The (von Stroheim)
Welcome Mr. Marshall! (Berlanga)
What’s Opera, Doc? (Jones)
When a Woman Ascends the Stairs (Naruse)
When We Were Kings (Gast)
White Shadows in the South Seas (Van Dyke)
Wild River (Kazan)
Winchester ’73 (Mann)
Wind from the East (Godard, Gorin)
Wings (Shepitko)
Wings of Eagles, The (Ford)
Women, The (Cukor)
Yesterday Girl (Kluge)
You Only Live Once (Lang)
Zorns Lemma (Frampton)